Critical reception of William Hogarth in the nineteenth century Essay

Critical reception of William Hogarth in the nineteenth ampere-second - Essay Example fit in to Gray (140), his contemporaries compared Fedotov who is a Russian artist with Hogarth for instance, Druzhinin describing Fedotov drawing of a woman leading her inebriated husband through the streets claims that Hogarth would not refuse a subject rich in dramatic and sarcastic potential. Although the two artists use romantic themes of the misunderstood, impoverished artist and enforce pathos of the situation with abundant symbolical detail. Druzhinin later lamented the loss of a man who in his opinion believes could have been Russias Hogarth because Fedotov had the potential to go beyond the achievements of the famous English artist. Other commentators of Fedotov did not encourage him to emulate Hogarth for instance, Bryullov advised him not to be attracted by complexities of Hogarth but encouraged Fedotov to follow nature (Gray 140).Until 18th century, continental Europe set the exquisi te agenda with the first artist using true English style and sensibility being William Hogarth who uncovered vice and corruption in the 18th century London (Else 69). While Hogarth satirized the society other artists were sprightly showing the best light of the society in the 18th century. Through the nineteenth and twentieth century there were various views however in the Victorian time, Hogarth emerged as a popular figure as well as honest and patriotic Englishman (Bindman and William 13). Hogarth issues regarding artistic origins as well as background emerged in early 1780s with publication of the fourth volume of Horace Walpoles Anecdotes of painting in England that dealt with contemporaries including Hogarth. Considering the role of Hogarths widow following his death, there is an indication of moral conversion in the widow through retrenchment of indecent print and she engaged with Rev.Dr Trusler in producing a popular volume known as Hogarth Moralized in 1768.