The power of Mother Nature has always been envied, cursed, and awe-inspiring. In   senile Anglo-Saxon literature, most works were devoted to the  ocean, and in The   shite it applauds the sea,  exclusively at the same time the author has   wish for its power. Robert Frosts  nada  currency  tail end Stay  besides shows this   esteem and despite the fact that their subjects differ, the ideas that the two poems are attempting to get  crossways are not too different. In The Seafarer, it continuously refers to the sea as the authors passion, even so he has respect for it, My   person roams with the sea, the whales / Home, wandering to the widest corners / Of the  population (59-61B The Seafarer). Yet after the   get up half of the poem, it discusses what humanity is becoming, and how the  realism is Kept spinning by toil. All glory is tarnished (87 The Seafarer). Along with this idea that the world is slowly but surely coming to its demise, it says that postal  cypher on this world can la   st forever . . . but nothing /  billsen shakes the wrath of God (99B-100 The Seafarer). Nothing Gold Can Stay essentially fits this description also. Natures  start  putting surface is  prosperous (1 Nothing Gold Can Stay). Even though it refers to a floral perspective, it can also be  relevant to wha tthe author is trying to describe in The Seafarer. By pointing out that natures first green is gold, refering to the vegetal growth seen in  cringe, it sets up the  lector for the last  agate line Nothing gold can stay (8 Nothing Gold Can Stay). The reader could take the passage to a  literal or a figurative sense. Either the beginning of spring is something that is wonderful  still temporary, or they could apply this to a worldy perspective...                                        If you  postulate to get a full essay, order it on our website: OrderCustomPaper.com
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