"Cabaret"

Cab atomic number 18t With great interest in history and theatre I went on to see guild in Kinghtnridge Theater Los Angeles, CA. The con is based on a book by Joe Masteroff and it is somewhat Berlin the life in Berlin ahead the Nazis came. Berlin back in the mid-thirties was the bastion of decadence; much like California in 1960s Berlin was famous for drugs, energise and music. Berlin in 1930s enjoyed slipshod Cab bet, the city had only a population of wiz million yet it had 30 thousand brothels, clearly a sign of its ultra decadence [Esther, 2003]. The Nazis were seen as a goernmental nuisance and the city had no governmental affinities. No on had a time of politics in this city of fun. The Nazis came subdue and thus it was the end of the party. The play revolves most these themes, the lyrics is by Fred ebb off and music by hindquarters Kander. Cabaret is directed and produced by Joseph Stachura; this is the Knightsbridges first new toil at their Los Angeles l ocation since they go forth Pasadena last calendar month [Esther, 2003]. The first act begins, the Mardi Gras mood takes over and the fun never ends. All the performers come on the make up ace by one; they flirt, flash, fling and sing their ways crosswise the stage in a precision.

Emcee one of the principal(prenominal) characters parades the stage with the ghosts of tot in ally yesteryears written across a scarred wilderness. One of his dear possessions is Sally Bowles a extraordinary and well-disposed gal who has got all the guys she wants [Marchese, 2003]. One of the significant aspects of the play is that it sho ws that identities are stripped off from the! people who come to Berlin. They are all part of a culture of drug, sex and music. The... If you want to vitiate a full essay, order it on our website: OrderCustomPaper.com

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